The Harris House Diary, 1939-1940

A hand written page from a book with a picture of a woman in the top left surrounded by coloured drawings of flowers.

A page from the Harris House Diary • Manchester Jewish Museum

On display at Manchester Jewish Museum, this book was written by 15 refugee teenage girls from Germany and Austria, who were housed in a hostel in Southport from 1939-1940. The girls wrote it as a book of thanks to the people who had looked after them.

A hand written title page saying 'Our First Year In Harris House'.
A page from the Harris House Diary • Manchester Jewish Museum

The diary is different from most refugee testimonies, which are often a hindsight of the time. In this, the girls write about their parents in the present tense; about the Purim play they put on; about going to the cinema and boys calling at the hostel.

The book is written in English, and includes photographs of them and some drawings. It was found in a jumble sale in the 1980s and was gifted to the Museum for its opening in 1984. The discovery made news at time and Yorkshire Television reunited ten of the girls in the museum then took them back to Harris House. Extracts from the documentary are on display in the museum next to the book.

Photo album from The Bradford Hostel, c. 1939

A patterned, square book with the words 'The Hostel' written on it.

One of the hostel photo albums courtesy of Gail Simon • Hidden Treasures/Drew Forsyth

This photo album was given to Holocaust Centre North by Gail Simon, the granddaughter of Herbert and Marie Eger, a couple who had run a house for young people escaping Germany and Austria. The Bradford Jewish Refugees Hostel as it was known, was founded by textiles manufacturer Oswald Stroud with donations from the local Jewish community.

Herbert and Marie were themselves recent refugees from Berlin when they were employed. Around 25 boys were housed at the hostel and many of them stayed in touch with the couple long after leaving. Among the documents and memorabilia Gail gave to the Centre were 15 photo albums documenting the couple’s life in Germany before the war, their time at the hostel and beyond. It also includes letters from the boys where they talk about their daily routines and correspondence from them throughout their lives.

An open photo album with someone showing the camera one of the black and white photographs
Hari showing us one of the photo albums courtesy of Gail Simon • Hidden Treasures/Drew Forsyth

The albums include photos of a lot of the boys in uniform. Once they were old enough, they joined up but were put on restricted duties due to their refugee status. They went into the Pioneer Corps, who were also known as ‘the diggers’ because that’s what they did – their service was spent digging trenches and other manual labour until they were “trusted” in normal platoons. After the war, some of the boys remained local to Bradford and the North of England while others moved to America or Israel.

Moshe Kusevitsky (1955) Festival Gems Sung by the Cantor of Warsaw

Cover of a record with the title Moshe Kusevitsky, Festival Gems Sung by the Cantor of Warsaw

Moshe Kusevitsky (1955) Festival Gems Sung by the Cantor of Warsaw

This record from the Jewish Music Institute (JMI) is an example of rare shellac discs ethnomusicologist and audio cataloguer, Edoardo Marcarini, catalogued and digitised. The JMI collection is a varied archive of Jewish music recordings and related materials that is available to explore here: https://jmi.org.uk/archive/

Shellac discs play at 78rpm and were a primary music format from the late 1890s to the late 1950s. However, shellac is very brittle so many discs have been damaged or lost. Examples like this are important to preserve and this was one of the records Edoardo flagged to have digitised so the recording survived.

List of [Jewish] Refugees in Sheffield, 1939

Sheffield City Archives: JCA/3/1/1, page 58

Sheffield City Archives: JCA/3/1/1, page 58

This plain sheet of paper may look everyday but it is actually from one of the most poignant items in the collections of Sheffield City Archives and Local Studies Library. The item is a file of papers, dating from 1939, all just like this one, that detail, in just a few lines, the immigrants who fled the Nazi invasion of Europe.

It simply records their names, countries of origin, former and current jobs and where they are hoping to emigrate to eventually. It also shows the address they are staying at in Sheffield and the person who has taken them in, mostly people from the city’s Jewish community. The index was put together by David Brown and Ena Glass, possibly as part of their work for the Sheffield Jewish Aid Committee.

Some of the entries have been annotated in pencil with changes to emigration status, marital status, and change of address.

Lined page from the index with typed record for Viktoria Ohrenstein.
Sheffield City Archives: JCA/3/1/1, page 58

This entry is for Viktoria Ohrenstein, a single woman from Vienna who had been a lawyer and was now working as a companion and home help. She hoped to go to Australia but there is no record of whether she did or not.

The entire index is available to browse online here

Zum Chanukafest pamphlet, 1914

Crop of the front page of a pamphlet written in German showing an eagle design at the top above the title Zum Chanukafest.

Zum Chanukafest pamphlet • Leo Baeck College Library

The Leo Baeck Library Pamphlet Collection includes over 6,500 pamphlets published in the last 150 years showing the vibrancy of Jewish history and ideas.

This pamphlet begins “For Chanukah 1914 – A greeting to the Jewish soldiers of the German Army from the Union of German Jews”. It includes psalms, poetry, plays, Torah and rabbinical encouragement to inspire the World War I soldiers receiving it with the deeds of the Maccabees.

The front page of a pamphlet written in German showing an eagle design at the top above the title Zum Chanukafest.
Zum Chanukafest pamphlet • Leo Baeck College Library

It also features a remarkable “Dialogue Between the Chanukah Light and the Christmas Light” by Rabbi Dr Georg Wilde, Chaplain to the Supreme Command of the Fourth Army. Wilde would later be a refugee from Nazi Germany to England but his message of hope expressed through the lights of different traditions shining towards each other, so moving in the context of the Great War, still resonates over 100 years later.

You can see the entire pamphlet online here: https://lbc.ac.uk/library-resources/collections/pamphlet-collection/

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London Docks identity card

A red identity card with a photograph of a man with a moustache

London Docks Identity Card • Tower Hamlets

This London Docks identity card from Tower Hamlets Local History Library and Archives is part of the personal collections that tell the stories of families in the area. This particular family archive belongs to the Rosenbergs of St George in the East of the district and was given to the organisation in 1988.

Head of the family was Israel Rosenberg. Previously known as Israel Eickman/Eichman the collection includes this identity card which was issued under the Aliens Restriction (Consolidation) Order, 1916. These cards were issued to immigrants from the outbreak of World War 1. Israel would have had to report to the Metropolitan Police and the archive also includes his identity card that contains the stamps from the police. His occupation was listed as ‘Boot maker for Cohen and Company of Hanbury Street’ and there’s even his thumbprint. He is described as of Russian nationality and unable to write his name.

Heritage Officer (Archives) Annette Mackin says, “We are still actively collecting, and this is the kind of material we really want to encourage people to donate to us. We really want to impress upon people that we really want everything about that family or that person, all the bits of ephemera, photos, and documentation to continue to build our collections. We are really keen to meet people and build connections to deposit with us and continue to capture the presence of the Jewish East End.”

Samuel Becher’s gravestone

Gravestone decorated with a violin

Samuel Becher's gravestone • The Living Stones

This gravestone, recorded by The Living Stones, is in High Wycombe. It commemorates refugee and violinist Samuel Becher. It says he was born in Stryj, a small town in Poland in 1903 and that he died in 1965 but the next line hints at the fate of his neighbours: His heart was broken when his Dear ones died in the Holocaust In 1943.

The fate of Stryj is well documented in “The Book of Stryj”, written by the surviving residents of the town in Israel in 1962. The book describes the events from July 1941 to August 1943, when the Stryj ghetto and labour camps were liquidated.

Stryj was liberated by the Red Army on August 8th, 1944 and several Jews emerged from hiding but it is not know whether Samuel was among them. A Dr. N. Becher is listed as having died during the pogroms in Stryj and it’s possible he was a relative.

The sculpture of the violin on the stone is beautifully made and it’s very unusual to find an ornament like this on a stone. There must have been a great deal of discussion between the stonemason and the burial board and the violin must have been very important to Samuel’s life.

How and when Samuel left Stryj and his route to England, are unknown. His next record is when he gained British Naturalisation in May 1952 whilst living in High Wycombe. In the 1965 Probate Register, he is described as a Polish musician who lived at an address in Winton. The probate was granted to Alice Laura Giovanna Clinkard who is likely to be the ‘Alice’ mentioned on the stone. She paid for its styling and erection, so she was probably also the person who asked for the violin to be included.

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Students at the Leeds ORT School c.1940

A group of women and men posing in front of a building with a columned entrance.

Students in front of the ORT school in Leeds, England, c.1940. Archive: p00a034 • World ORT Archive

ORT was established in Britain in 1921. One of the highlights of British ORT’s (now ORT UK’s) history was the Jubilee Fundraising Dinner at the Savoy Hotel in 1930. The Guest of Honour was Albert Einstein, and sharing the platform with him were George Bernard Shaw, H.G. Wells, the Chief Rabbi, Dr Hertz, with Lord Rothschild presiding. Until the outbreak of the Second World War, British ORT was active both in fund raising and in various special projects such as assisting the Vilna Technicum, ORT’s flagship technical institute in Vilnius.

In 1937 an ORT school was established in Berlin to provide a technical education for Jewish boys excluded from state schools by the Nazis. Because of the increasingly precarious position of Jews in Nazi Germany, ownership of the school buildings and equipment was registered under British ORT.

With the war fast approaching, British ORT arranged to transfer the school to England. Over 100 students and several teachers arrived in England at the end of August 1939 and a new school was established in Leeds to carry on the work and training that had begun in Berlin. It continued to operate until 1942. This photograph shows some of the students in front of the school c.1940.

Find out more about ORT’s history in England and throughout the world here: https://ortarchive.ort.org/browse-regions/western-europe/ort-in-britain

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Oneg Shabbat Box

Oneg Shabbat Box • Imperial War Museum

This box, on loan to the Imperial War Museum‘s new Holocaust Galleries, once contained part of the Ringelblum Archive, a collection of documents from the World War II Warsaw Ghetto, collected and preserved by a group known by the codename Oyneg Shabbos (in Modern Israeli Hebrew, Oneg Shabbat; Hebrew: עונג שבת‎), led by Jewish historian Dr. Emanuel Ringelblum. The group, which included historians, writers, rabbis, and social workers, was dedicated to chronicling life in the Ghetto during the German occupation. They worked as a team, collecting documents and soliciting testimonies and reports from dozens of volunteers of all ages. The materials submitted included essays, diaries, drawings, wall posters, and other materials describing life in the Ghetto. The collecting work began in September 1939 and ended in January 1943.

Read more about The Oneg Shabbat Archives with this digital exhibition from Yad Vashem.

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Hidden Treasures: Celebrating the documents, photos and artefacts in British archives that tell the story of Jews in Britain

Brondesbury Synagogue

Brondesbury Synagogue

Brondesbury Synagogue • JCR-UK

JCR-UK have a great article, written by Rabbi Dr Bernard Susser in 1994, on the history of Brondesbury Synagogue in particular and the migration of Jews from London’s East End to other districts during the late 19th century in general. The original building, pictured above, was constructed in 1905 in a distinctive moorish style. Principle founders and benefactors included Solomon Barnett. A fire in 1965 caused serious damage. The synagogue closed in 1974, reopening as a mosque: the Imam Khloei Islamic Centre. Read the article here.


Imam Khloei Islamic Centre today • JCR-UK

 

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Boris Bennett’s Camera

Boris Bennett's camera • Jewish Museum London

This Kodak “Big Bertha” camera was used by the well-known East End wedding photographer Boris Bennett. Born in Poland in 1900, Boris came to Britain in 1922. Five years later, he opened a photographic studio in the East End of London, which was an instant success.

In his stylish Art Deco studio, Boris made ordinary Jewish East Enders look like Hollywood film stars. He was able to photograph up to 30 bridal couples on a single Sunday, the traditional day for Jewish weddings. Couples would queue on the stairs of the studio waiting to have their pictures taken and crowds often gathered outside to witness the scenes. It was the ultimate compliment to have your photograph displayed in his studio window.

Boris Bennett’s distinctive style used romantic flowing dresses, lavish bouquets and immaculate tailoring.  Perfection and beauty was his purpose and he made all his brides glamorous.  One commentator described him as the man who brought Hollywood to the East End, and today his work is much sought after by collectors.

Boris was quoted as saying that sometimes when couples were queuing to be photographed he was tempted to rearrange them to create more perfect matches.  From this he got the nickname ‘Boris itch to switch’.  With his own bride Julia he had no such temptation.  On the day she came to his studio for a passport photograph he was so enraptured that he proposed to her there and then and they married in 1929. 

As Boris achieved fame and fortune he used his position to help others, including assistance with the purchase a house in Finchley Road to provide shelter and support for young Jewish refugees from Nazi Germany.  Later he left photography to become a successful financier.  Towards the end of his life he would look back on his days in the East End with much affection and say, “What a wonderful Jewish World it was!”  Boris Bennett died at the age of 85 in 1985.

 

You can see more of his work in this great book: Vintage Glamour in London’s East End, published by Hoxton Minipress. Read more here: https://spitalfieldslife.com/2014/11/21/boris-bennett-photographer/

Text adapted from https://jewishmuseum.org.uk/50-objects/2009-18-1/ and https://www.jewisheastend.com/boris.html

 

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Hidden Treasures: Celebrating the documents, photos and artefacts in British archives that tell the story of Jews in Britain

Yiddish Typewriter

Yiddish Typewriter • Jewish Museum London

This Yiddish typewriter, from the collection of the Jewish Museum London, belonged to the playwright Abish Meisels. Born in Galicia, Abish Meisels spent 12 years working in Vienna as a dramatist before emigrating to London in 1938. During World War II, Meisels was a central figure in the New Yiddish Theatre in Adler Street as a playwright and prompter.

Yiddish theatre was brought to Britain by immigrants from Eastern Europe from the late 19th century. Plays were performed in Yiddish, the language spoken by Central and Eastern European Jews. They ranged from comedy to tragedy, drawing on Yiddish folk tales, adaptations of Shakespeare and stories of immigrant life. For hardworking immigrants, a night out at the theatre was a rare opportunity for entertainment and relaxation.

Meier Tzelniker on stage in the New Yiddish Theatre Company’s performance of The Merchant of Venice. Abish Meisels can be seen in the prompt box.

Yiddish theatre had a unique atmosphere with enthusiastic audiences who joined in and sang along. The early 20th century was the heyday of Yiddish theatre, with long queues for tickets and packed theatres. A number of theatres were set up in the East End of London, most notably the Grand Palais and the Pavilion theatre. As the number of Yiddish speakers declined, so did Yiddish theatre. In 1970 the last remaining theatre, the Grand Palais, finally closed its doors.

 

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Hidden Treasures: Celebrating the documents, photos and artefacts in British archives that tell the story of Jews in Britain