Mother and Children in Holland Park Mother and Children in Holland Park by Dora Holzhandler • Ben Uri Archive This gorgeous treasure is a 1997 painting by Dora Holzhandler from the Ben Uri Archive. Holzhandler was a Polish-Jewish artist born to working class parents in Paris in 1928. In 1934 her family moved to Britain, where Holzhandler lived for the rest of her life. Gorgeous colours, intricate textiles and a Pre-Raphaelite attention to detail animate this parkland paradise. Although the mother and child is a recognised Christian symbol, the presence of a second child widens the scope to evoke the warm intimacy of family life. Holzandler’s work is influenced by her belief in both Jewish and Buddhist religions and incorporates mystical and religious symbolism. The painting was part of the Ben Uri Gallery’s 2018 exhibition Liberators: Extraordinary women artists from the Ben Uri Collection. The exhibition features many lesser-known British Jewish artists whose work often depicts everyday life in Britain. Discover more Hidden Treasures Hidden Treasures: Celebrating the documents, photos and artefacts in British archives that tell the story of Jews in Britain Ben Uri Archive Commercial | Communal Records | Cultural | ImmigrationPartially online The Ben Uri Archive is a specialist archive accessible to the public held by the Ben Uri Gallery and Museum, based in […] Maternal Torah Sculpture by Jacqueline Nicholls • Ben Uri Gallery
‘Shifra’: A Voice for Jewish Feminists 'Shifra' logo and subscription rates from back cover, issues no. 3 & 4. Image credit Leeds University Library. With permission of Rabbi Elli Tikvah Sarah. Leeds was something of a hot-bed of Jewish radicalism in the 1980s, hosting the Ruach ‘alternative’ conference and seeing the establishment of JONAH (Jews Organised for a Nuclear Arms Halt and the beginnings of JCORE (Jewish Council for Racial Equality). Jewish women’s issues were particularly at the fore with the formation of Jewish Women’s Aid to assist victims of domestic violence and the publication of the magazine Shifra, a voice for Jewish feminists. This image is of the back page of an early edition and shows the subscription prices. Karen Sayers from Leeds University Cultural Collections, examines Shifra further: Founded in 1984, ‘Shifra’ magazine gave a voice to Jewish Feminists. The editors aimed to create ‘a Feminist home in the Jewish community and a Jewish home in the Feminist community’. ‘Shifra’ challenged how people outside the Jewish community perceived Jews, particularly women. Four issues were published from 1984-1986. The editors of ‘Shifra’ encouraged their readers to contribute material about every aspect of their lives. The content included articles, biographies, poems, recipes and photographs and ranged over contemporary and historical material. While not rejecting women’s traditional role in the Jewish community the magazine discussed how it could be modernised and made more racially and sexually inclusive. Many articles concern women’s relationships with the Jewish religion. In ‘Knowing no bounds’ Elizabeth Sarah explores her experience as a Jew and lesbian and her attempts to reconcile her religion and sexuality. She writes about a feminism which is far from welcoming of diversity. This allows women to be Jewish in a cultural but not a religious sense. In ‘Why I am not a Jewish feminist’ Dena Attar describes the suffering of Jewish women who in the name of religion are confined to particular familial roles and whose rights within the family are restricted. Attar’s feminism supports women trying to gain freedom from religious oppression be it Jewish, Catholic or Islamic. Many writers challenge the male dominated history of the Jews. They describe the experiences of their foremothers to recover women’s voices. Hedi Argent examines the life of her mother, Liza, praising her strength and determination. In the 1930s, Liza persuaded the Nazis to release her husband from prison. Another author recalls ‘The Rebbe of Lodemaria’. Born in 1815 she is a rare, perhaps unique, example of a woman who was a rabbi in the 19th century. ‘Illustration for ‘The Rebbe of Lodemaria’ p.13, Issue No. 1. Image credit Leeds University Library. With permission of Rabbi Elli Tikvah Sarah. ‘Shifra’ contains recipes and articles about traditional food from different Jewish cultures. Food has always been an outlet for Jewish women’s creativity and a way of participating in the Jewish religion. The editors embrace this as part of their modern identity. Traditionally women were responsible for the health of the body, and men for that of the mind. Many women ran Jewish shops, bakeries and businesses before coming to the UK and some started again in their new home. After two issues ‘Shifra’ had not fulfilled the editors’ aims. In the editorial to Number 3 they comment that too many of the articles they receive are historical. They ask contributors and readers to analyse current events and take ‘a more active role than the passive consumers of the present’. It is possible their request was not successful as the 4th issue of the magazine was the last. Most of the ‘Shifra’ papers held at Leeds University Cultural Collections are in the Marilyn Fletcher Collection in the Feminist Archive North. The archives include copies of the magazine, typescript proofs of articles and letters to, and from, the editors. Discover more Hidden Treasures Hidden Treasures: Celebrating the documents, photos and artefacts in British archives that tell the story of Jews in Britain University of Leeds Cultural Collections Communal Records | Cultural | Historical Documents | Jewish Life | Local HistoryPartially online The University of Leeds Cultural Collections is housed in the Brotherton Library, Leeds, and is open to public access. It contains a […]
Kindertransport Travel Document Kindertransport Travel Document for Kurt Marx • AJR Refugee Voices Archive This treasure is a Kindertransport Travel Document, issued to fourteen-year-old Kurt Marx in Cologne, allowing him to travel to the UK as part of the Kindertransport scheme. Unusually, Kurt travelled to the UK with his school, the Jewish Jawne Gymnasium, arriving in January 1939. After the November pogrom (Kristallnacht) in 1938, the Jawne’s forward-thinking headteacher, Erich Klibansky, began arrangements to get Jawne students to Britain on a Kindertransport. Kurt remembers saying goodbye to his mother and father in the belief that they would soon meet in England when his parents got the necessary documentation. Very sadly this did not happen and Kurt did not see his parents again. Kurt and his school moved into a hostel in Willesden, London, sponsored by the Walm Lane Synagogue. You can read more about Kurt’s experiences, and see more of his incredible photos, here. The treasure comes from the AJR Refugee Voices Testimony Archive, a video-based oral history archive containing interviews with – and documents, photos and other artefacts from – more than 250 refugees from Nazi Europe who rebuilt their lives in Britain. It contains many images relating to the Kindertransport including British-issued travel documents like this one. You can see a selection here. Discover more Hidden Treasures Hidden Treasures: Celebrating the documents, photos and artefacts in British archives that tell the story of Jews in Britain AJR Refugee Voices Family History | Holocaust | ImmigrationOnly online AJR Refugee Voices is a digital archive created by the Association of Jewish Refugees (AJR) and holds Holocaust survivor and refugee testimony. […] Elena Lederman’s Chocolates Celebrity chocolatier Elena Lederman with Elizabeth Taylor • AJR Refugee Voices Ruth Danson in the bluebell woods of Bunce Court School Ruth Danson & friends in the bluebell woods, 1939 • AJR Refugee Voices Archive